Domaine Angelus was competing in a category where every label signals the same thing: a château, a crest, a date. That shorthand is available to everyone, so it distinguishes no one. I built an identity on architectural principles instead of heritage imagery: structure, proportion, and rhythm rather than ornament, so the estate reads as serious and contemporary without giving up craft.
CLIENT ▸ Domaine Angelus, Bordeaux, France
YEAR ▸ 2024
AREA ▸ Wine & Spirits — Premium Estate
AUDIENCE ▸ Importer, Sommelier, End Consumer
SCALE ▸ 1 label, 3 print pieces, 5-month engagement
SCOPE ▸ Brand identity, packaging, print, and marketing materials
ROLE ▸ Brand Designer (Freelance)
TEAM ▸ Solo, direct to the estate
PROCESS ▸ Category audit → positioning → identity system → packaging and print applications
Challenge

A category where heritage codes are universal, so nobody stands out by using them
Craftsmanship to communicate, without nostalgia doing the communicating
A premium claim to hold on a shelf next to estates with centuries of recognition
Strategic Approach

Architectural thinking: structure before surface. Proportion, rhythm, repetition
Longevity over trend. A wine label is redesigned once a generation, not once a season
Restraint as the craft signal. Doing less signals the estateis confidence in what's in the bottle
Creative Solution

An identity built as a constructed space. Typography, spacing, and negative space as the primary material
A modular grid holding proportion across every format, from label to brochure
No crest, no engraving, no date. The seriousness comes from the structure, not the props
Scope & System

4 labels and packaging applications on one grid.
Print and brochure system with fixed hierarchy.
Rules for extension, so new cuvées and vintages sit within the system.
Deliverables

+ ​​​​​​​Logotype and visual identity
+ Label and packaging design
+ Brochures and print materials
+ Digital brand assets
+ Identity guidelines
Role & Leadership

Brand Designer, positioning through production, working directly with the estate.
​​​​​​​
The argument I had to win: that removing the heritage cues would read as confidence rather than absence. In Bordeaux, that is not an easy sell.
On The Work

​​​​​​​Brand design is a structural discipline, not surface decoration.

In a category that leans on inherited symbols, building an identity from proportion and rhythm is what makes it belong to one estate and nobody else.
The logo was designed as a typographic mark inspired by architectural signage, precise, restrained, and built to endure across physical and digital environments.
Building a premium brand in a category
that defaults to heritage?

Other Art Directed Projects

↑Back to Top